Toronto, Canada

Political theorist. Producer. Storyteller. Christopher Scott McClure

I study how people make meaning under uncertainty — in Hobbes and Nietzsche, and in the true-crime cases and fiction podcasts I write and produce. A Cambridge University Press book and a Georgetown Ph.D. sit on one shelf; FBI True, Never Seen Again, and two award-winning audio dramas sit on the other. This is the record of both.

Ph.D., Georgetown Harvard Postdoctoral Fellow Cambridge University Press Hillman Prize Nominee
CSM
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About

Christopher Scott McClure received his Ph.D. in Government from Georgetown University and was a Postdoctoral Fellow in Harvard University’s Program on Constitutional Government. He is the author of Hobbes and the Artifice of Eternity (Cambridge University Press), which examines how Hobbes reimagines mortality, uncertainty, and meaning at the founding of modern political thought.

That same set of questions — how people search for order and significance when the old certainties fall away — carries directly into his work in documentary television and audio fiction. As a producer on FBI True and Never Seen Again (both Paramount+), he has booked stories, conducted field interviews, and story-edited episodes built around real investigations. As the creator of two independent fiction podcasts, Harvey in Hell and the award-winning The Milkman of St. Gaff’s, he writes and produces original narrative work supported by the Canada Council for the Arts.

He also co-hosts The Reading Group, a podcast working through Plato’s dialogues in conversation with fellow political theorists.

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Scholarship & Teaching

Cambridge University Press · 2016

Hobbes and the Artifice of Eternity

A study of mortality, uncertainty, and the political imagination in the work of Thomas Hobbes — and how the search for permanence shapes the modern state.

  • Part-Time Lecturer — Nietzsche Seminar
    Tufts University · Fall 2024, remote
  • Postdoctoral Fellow
    Harvard University, Program on Constitutional Government · 2013–2015
  • Visiting Assistant Professor
    University of California, Davis · 2011–2013
  • Ph.D., Government
    Georgetown University · 2005–2011
  • M.A., Political Science · B.A., Political Science
    University of Toronto · 2003–2004, 1999–2003
FrenchFull working proficiency
ItalianWorking proficiency
Classical GreekBasic reading
CASE FILE II

Story & Screen

Fifteen years producing documentary television, and five years writing and producing independent audio fiction — booking stories, chasing sources, and shaping narrative from both sides of the camera.

On Air
DOC · PARAMOUNT+

FBI True

Producer · 2023–2025

Booked stories, conducted field interviews, and story-edited fifteen episodes of the true-crime documentary series.

Nominated
DOC · PARAMOUNT+

Never Seen Again

Producer · 2022–2023

Booked stories and story-edited five episodes. Season opener nominated for a Hillman Prize in Broadcast Journalism.

Hillman
Grant Winner
AUDIO FICTION · ORIGINAL

Harvey in Hell

Writer & Producer · 2025–Present

An independent audio drama, written, recorded, and produced end-to-end. Supported by a Canada Council for the Arts grant.

Award Winner
AUDIO FICTION · ORIGINAL

The Milkman of St. Gaff’s

Writer & Producer · 2020–2023

Best Production and Best Storyteller, 2022 Audio Verse Awards. Over 750,000 downloads and a devoted following.

Verified
Season 1
DOC · SERIES PRODUCER

Special Ops True

Series Producer · Bright North Studios

Managed a team of story editors and oversaw post-production, edits, and audio mastering for the first season.

Discovery+
DOC · ASSOCIATE PRODUCER

Who the Bleep Did I Marry

Associate Producer · 2022

Found stories and chased sources; booked stories for the long-running Discovery+ true-crime series.

2024–25 Series Producer / Producer — Bright North Studios Toronto
2020 TV Writing & Production — Humber College Certificate
10+
Years in Political Theory
15+
Years Producing Television
750K+
Podcast Downloads
2
Canada Council Grants
CSM

Get in touch

Whether it’s a story to book, a text to read closely, or a project that needs both — I’d like to hear about it.